One month of research on how to use plastic waste to create a tactile installation
I'm Margherita, a young artist graduated in 2018 from Gerrit Rietveld Academy with a background in Industrial Design. I have been invited for one month at Atelier '89 an art residency from Aruba, to research how to use the plastic waste collected from the sea to create a tactile installation and to give workshops on how
One month of research on how to use plastic waste to create a tactile installation
I'm Margherita, a young artist graduated in 2018 from Gerrit Rietveld Academy with a background in Industrial Design.
I have been invited for one month at Atelier '89 an art residency from Aruba, to research how to use the plastic waste collected from the sea to create a tactile installation and to give workshops on how to use waste material as a resource to produce tactile surfaces.
And, I need your support!
Personal motivation
My work consists of creating interactive installations where I try to make it possible for people to ‘see’ with other senses that are non-visual to generate awareness of the fact that our body is a lively sensory system.
I have been mainly using textile as my main resource up till now. During this residency, my goal is to develop my work by using plastic waste as the main resource.
Why do we keep calling ‘waste’ waste? It is a resource!
How to manipulate old plastic into a tactile surface? How to transform old plastic in a weaved surface? Can digital fabrication help convert old plastic into usable material for weaving a tactile surface? Is it possible to treat plastic like textile and produce organic shapes? Can 3D printing help me develop these ideas?
Those are few of the questions I will elaborate my research on.
Process until today
To show this vision I spent the past few years researching specific materials and textures which could give the right sensorial effect and combined them with textile-manipulation techniques to work them into sensorial surfaces.
For those surfaces to come to life I aim to reach a broad target group. Next to inviting fellow creatives or children to interact with my works I have also created tactile installations for blind people or people with Alzheimer and Dementia to understand the different ways of how people use their senses and interact with these surfaces. I started with smaller objects and now I am investigating ways to alter standard architectural elements into tactile environments.

Atelier ‘89 & the research
Atelier ‘89 will be providing me with a studio and a stimulating environment where I can live and work. I will be there from mid-March till mid-April 2019.
Next to Atelier '89, I approached Brenchie’s Lab which founded an initiative called ‘Plastic Beach Party'to collect and recycle the plastic waste from the beaches of Aruba. Brenchie’s is an amazing open platform with a lab where I can use facilities and tools to develop my ideas and have an open exchange with other artist and creatives.
Meanwhile, with the workshop's students, we will dive into the process of transforming waste into a new tactile media and actively discuss the topic of waste and recycling. I will teach them how to manipulate surfaces to create patterns and textures, but mostly I am curious to discover the possible outcomes of this collaboration!

Back to Amsterdam
Next to the final exhibition in Aruba, I am planning to produce a MATERIAL LIBRARY out of the research I will develop that will be shipped back to Amsterdam to be displayed in an exhibition in early May 2019 in which you will all be invited!
What is tactility for me?
Nowadays we are getting more and more used to rely on our sight thanks also to the technological boom of the last 20 years. Nonetheless touch still remains one of the most powerful and primordial sense. Our memories are stronger when it comes to touch. Our skin is the organ for thought, as it reads the texture, weight, density and temperature of matter. Some institutions are already talking about involving tactile art into cultural heritage for people with mental disabilities or for people with visual impairment. I strongly believe in the importance of having all people experiencing tactile and sensorial art.
Interested in the subject and want to know more about it? Here some nice reading:
- ‘The eyes of the skin’ & ‘Textures that we like to touch: An experimental study of aesthetic preferences for tactile stimuli’ by Juhani Pallasma
- 'The man who mistook his wife for a cap’ by Oliver Sacks
- 'Ways of seeing' by John Berger
- ‘The feeling of things’ by Adam Caruso
Very interested? contact me for more readings or get an insight on my practice!
Support
The research period at Atelier ‘89 is a dream opportunity. But also one with a price tag and I can really use your help!
Your donation is necessary to cover the transportation costs, material for the workshops, presentation costs and a few unforeseen costs that I will probably encounter during the making of the project (extra tools, extra materials, etc.).
Questions?
Do you want to know more, or do you have an idea for a future collaboration?
You can drop a line here: [email protected], or give a look at my previous works on www.margheritasoldati.com.
Exchange & thank you
I would like to give everybody something in exchange! I am willing to invite you for a private workshop in my studio where I can teach you how to manipulate different materials into a tactile surface and play with different mediums. Or, I can give you a private tour in my ongoing exhibition inside the building of Mediamatic in Amsterdam and have a chat with coffee. So please contact me if you like the idea and if you have other suggestions just drop me a line!
Nieuwste donaties

Een donateur
26-02-2019 09:48Margherita is een getalenteerde vrouw. Waardering voor haar onderzoek naar aanraking en hersenbeschadiging. Gun haar van harte deze kans

Een donateur
23-02-2019 16:52Ik heb vorig jaar een workshop gevolgd bij Margherita en ben gefacineerd geraakt van experimenteren met diverse afval producten

Meret
11-02-2019 11:00Cuz she should get all the support she can get.